Finalist, Lethbridge Landscape Prize, 2022

This work is part of a series exploring how human spaces operate differently to natural spaces, and my own odd and awkward relationship with nature.

Judge’s comment

“Lisa’s video belies a perfect simplicity in its execution. Giving us a historical nod to the camera obscura’s reversal of nature in both the camera and the eye - she turns a highly traditional painterly viewpoint into a canvas that moves ever so slightly. Landscape and video are hard to mesh and this work does it perfectly.”

- Carolyn Craig, judge, Lethbridge Landscape Prize, 2022